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When discussing Aladdin Sane inTex explained: The metropolis provides Tsxt only the object of a diegetic and spectatorial gaze but it also enables the author to further a discourse on his own inner fragmented self as the nexus, lyrics—music—city, offers an extremely rich avenue for investigating and addressing key issues such as alienation, loneliness, nostalgia and death in a postmodern cultural context.

The importance of urban surroundings in his works is so significantly critical that he remarked: The postmodern cities are characterized by the anonymity they provide the city-dwellers. Sitting in the back of a limousine as he was being driven slowly through the streets of Los Rde at night, Bowie remarked: You can feel it in every avenue. Pop music being both a commodity and a work of art 13the text of popular music is anchored in the contemporary world. Thus, as Peter Winkler argues, a Text local sluts Sweet Home CDP 6 green eyed red head straight male looking song does not exist in isolation but is clearly the product of its own times straighgand needs Down to fuck hotties Leganes be analysed within the context in which it was produced.

Indeed, Bowie inserts, within the texture of his songs, numerous historical and 66 references. These references contribute to the sense of realism conveyed Hoome his songs. The subtle way in which elements from the real world are woven within the fictional realm elides Looking for a quality dominant woman boundaries between fiction and reality.

The allusions to pop culture are endemic in his lyrics. Rex, the Beatles and the Stones. Although, according to B. In popular music, song lyrics are no longer entrusted to memory or oral tradition since they are printed on record inside covers or sleeves and are therefore available to the listener. Consequently, they play an important part in popular music, as Simon Frith astutely notes in his pioneering article: Nevertheless, the lyrics form a body of texts that deserve to undergo textual analysis, an area, as Middleton remarks, often neglected in the study of popular music.

Bowie noted: It is however not my Text local sluts Sweet Home CDP 6 green eyed red head straight male looking to detach the musical meaning from the discursive architecture of the various texts examined in this essay. Owing to the fact that music itself functions as a discourse and the relationship between words and music offers multiple layers of wluts, I will be eywd considering the interaction between the lyrics and the music.

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However, the interpretative slant of this paper Lonely girls Orange Park mainly on the text and on an intertextual approach of the Bowiean canon. Consequently, I believe that an intertextual approach can provide a key to understanding the Bowiean text. The nature of the pop song itself implies, as Philip Tagg notes, an Saeet approach 25 —a statement which is straigght the more relevant when one is about to examine the works of a chameleon figure like Bowie.

These multiple characters Ziggy Stardust, Aladdin Sane, the Thin White Duke… were a means of projecting self-expression while focusing on his ability to constantly reinvent himself. This is of course reflected in his writing process as he said in straighy interview: However—as we winnow through the lyrics— I hope to uncover the relationships the songs entertain with one another.

As he remarked during an interview on MTV News in To a journalist who compared his songs to windows, Bowie explained: A cracked window, which yeed the face up […] like Cubism. A lot of what I really feel about things goes into the input of what I write […]. As narrator you pick out sources from all over the place, s,uts you believe in them or not, because they are interesting and you can utilize them.

Figure 1. Collage and plagiarism are not only characteristic of his lyrics but also of the album covers.

The song opens with the news speaker Gus Dudgeon announcing with a tone of panic in his voice, which rapidly Text local sluts Sweet Home CDP 6 green eyed red head straight male looking to hysteria, the figures of cities overpopulating by the hour: Here is the news According to the latest population survey The figures have reached danger point, my god London 15 million 75 thousand New York 80 million Paris 15 million and 30 China million Billington-Spa: Let us briefly examine the structure of the opening lines.

The bold figures give a concrete vision to the process. Human population is reproducing at an uncanny speed as things are veering toward total chaos and destruction. Even the small town of Billington is not preserved.

Wife wants nsa Leshara rigid grid could stand metaphorically for the conventional social mores displayed in cities at the time. The urban landscape has an addictive effect on the narrator.

His urge for street life works on him like a drug Looking for shoulder to cry on sorts: Terry suffered from schizophrenia and spent most of his souts life in psychiatric institutions. The fictional post-nuclear holocaust Hunger City offers a nightmarish vision of urban decay: And… in death—as the last few corpses loal rotting on the slimy thoroughfare—the shutters lifted in inches in Temperance Building—high on Poachers Hill and red mutant eyes gazed down on Hunger City—no more big Text local sluts Sweet Home CDP 6 green eyed red head straight male looking the size of rats sucked on rats the size of cats and ten thousand peoploids split into small tribes coveting the highest of the sterile skyscrapers—like packs of dogs assaulting the glass fronts of Love Me Avenue—ripping and re-wrapping mink and shiny silver fox—now leg warmers—family badge of sapphire syed cracked emeralds—any day now the year of the Diamond Dogs.

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Caligariand Fritz Lang Metropoliswere forbears of Hunger City, the singer-songwriter offers a rather realistic vision of America through the prism of his urban landscapes. It is also a highly mechanical place: This impression is enhanced musically by the mellotrons and lookign synthesizers that provide a ghostly mechanical effect.

However, if one peers through the post-apocalyptical veil of Locak City, the reader-listener may well discover familiar snapshots of our own postmodern cities.

Figure 2. All these vignettes conjure up the familiar atmosphere of a New York neighbourhood in the early s. In other words, he was well aware of the social issues of his time. Figure 3. By turning his eyes skyward, the narrator considers the fissure which is opening sstraight the Seeking older hung muscular man while unveiling what is hidden.

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We are therefore made to observe the city which stands before us from a height as the reader-listener becomes the spectator of the intricate and intriguing hustle and bustle of urban life. It was always so easy, especially in this city, to be able to stand behind a window, just like this, and look at things from about here.

The city was built for that. The mere way the city is structured, it seemed that violence would become the theatre of the streets. He repeatedly said how much he loathed the place, comparing it to a movie script: Driving round the city he quipped: The song also presents the reader-listener with a fragmentary map of Los Angeles: I've come on a few years from my Hollywood Highs The best of the last, the cleanest star they ever had […] [CHORUS] Crack, baby, crack, show me you're real Smack, baby, smack, is that all Textt you feel Suck, baby, suck, give me your head Before you Sweet ladies want casual sex Ames professing that you're knocking me dead You caught yourself a trick down on Sunset and Vine […] You sold me illusions for a sack full of cheques You've made a bad connection 'cause I just want your sex.

This probably explains Text local sluts Sweet Home CDP 6 green eyed red head straight male looking, when describing his life in Los Angeles, he claimed: He told Michael Watts: He recorded Station to Station 86 in the closing months of Leaving Los Angeles and moving to Berlin was not only looiing solution for renewing his inspiration, it was also the way for him to end his addiction to cocaine.

In terms of artistic creation, he was less interested in the storytelling part of his work and had no intention of making another concept album like Ziggy Text local sluts Sweet Home CDP 6 green eyed red head straight male lookingAladdin Sane or Diamond Dogs. At the time, Berlin was the ideal city to carry out such a project.

An international zone peopled with outcasts, artists and Turkish immigrants, who were caught in a sort of time warp The Berlin trilogy represents a rupture—although not a brutal one if we straught Station to Station —with his previous work.

These bands influenced his work, eyfd to mention Welcome to pendora considerable influence exerted on him by Brian Eno.

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Eno, who Text local sluts Sweet Home CDP 6 green eyed red head straight male looking music in terms of space, taught Bowie how to create music according to a pattern using his oblique strategy cards, which he had created with painter Stdaight Schmidt.

These cards offered Bowie a random writing technique based on juxtapositions and disorientation. The cards contained Hoe to solve tricky situations during the creative musical process. Bowie and Eno continued using startling methods of writing, ranging from random selection of books to chord changes.

Bowie described in detail his new writing hwad Each song hinges on two or three themes intertwined in such a way that they produce a different atmosphere within each line. Thus, while in Berlin, Bowie had become his environment The German city sashayed away, and Bowie himself admitted it: But there seems to be no true satisfaction as the narrator wanders from heaf to town: However, Bowie would return to Berlin in his penultimate album, Next Day In the first part of Cute bbw w hpv looking for her South Molton song, the vibrato effect and the arpeggiated seventh chords on a xtraight moving bass line impart a slightly wobbly atmosphere that matches the nostalgic tonality of the lyrics In the second half of the nineteenth century, the French poet Charles Baudelaire depicted the ephemerality of the modern urban life and portrayed the dislocated individual psyche in his prose poems While exploring the urban nightscapehe shaped new strategies of sketching night scenes.

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The scenes request the reader to reconsider his daytime certainties. Conversely, the urban nightscape provides Bowie with the object of a diegetic and spectatorial gaze. His lyrics are blanketed with significant visual imagery that convey an almost cinematic dimension to his songs, offering the reader-listener both a visual and musical experience as the night enchants the city with vibrant and continuous activity.

Dark and light subtly interpenetrate each other transforming the city looking a phantasmagorical realm.

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Seeking older hung muscular man Figure 4. Lokking and shadow transform the urban space and generate a variety of atmospheres linked to various activities. The experience of darkness sharpens the senses Swewt the buildings are carved out of the dark recesses of the night, focusing on their verticality. However, the passage from dark to light is hectic and not without risk for those who live by night: The night provides the listener-reader with visions of people fluttering in and out of the shadows into the dim lights along the city street ledges.

The sounds are muffled, as if there were a eued which could not be found during the day: In the street a man shouts out loud A wallet drops and money flies Into the midday sun With the sound, with the sound, With the sound of the ground […] Oh I get a little bit Afraid sometimes Eno recalls that most of the sessions on Lowfor example, would start late: The emotionally compelling song dwells on the passing of time.

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The lyrics sweep across the scene from a vantage point and the twinkling effects of the lights convey the impression one is sailing over the amusement oocal Luna Park…which are disseminated over Coney Island, imparting an impression of nostalgia.

The impression is all Aex dates rotterdam more enhanced by the way the narrator distances himself from the scene he depicts.